CCCP…
…no, maliziosi che non siete altro. La sigla sta per Convegni, Conferenze, Congressi, Parlate d’altra varia natura! Alcuni dei testi di queste conferenze sono stati rielaborati sotto forma di pubblicazione. Altri verranno presto resi disponibili. Per approfondimenti consultare il CV.
2020 [BUCHAREST] (June, 5 7), (TBD), paper for the International Conference Semiosis in Communication: Culture, Communication and Social Change, SNSPA (National University of Political Studies and Public Administration), Bucharest.
2020 [LIEGE] (March, 10th), Invited presentation of the movie Pastrone! (Lorenzo De Nicola, 2019), Université de Liège, Belgium.
2020[TORINO] (February, 28th), “Demiurgie facciali nel cinema della speculative fiction” (provisional title), paper for the Incontri sul Senso 2019/2020, Università di Torino.
2020 [WARSAW] (January, 28th), “Face ex Machina“, paper for the ERC Symposium and Meeting of the Senior Advisor y Board, Transhuman Visages: Artificial Faces in Art, Science, and Society , PIAST, Polish Institute of Advanced Studies.
2019 [VERONA] (December, 13th), “Animali “fantastici” e dove trovarli: unicornetti, megattere sadiche, polli col visore. Per un bestiario contemporaneo contro la mitopoiesi del virtuale”, paper for the Congress “L’altro volto del reale. Il virtuale nella comunicazione e nelle arti contemporanee”, IUSVE – Istituto Universitario Salesiano di Venezia e di Verona.
2019 [GENOVA] (December, 5th-6th), “Il radicale postmoderno contemporaneo. Il trionfo del pastiche e l’estetica dell’autocitazione fra cinema, Netflix e YouTube”, paper for the Conference “The Postmodern Condition. Forty Years Later”, Università di Genova.
2019 [MADRID] (November, 7th), Report for the EIT Food WeValueFood Project, WP5 (Communication & Dissemination Plan), Universidad Autónoma de Madrid (UAM).
2019 [SIENA] (October, 25 27th), “L’inquadratura semioggettiva e il problema dell’enunciazione filmica“, paper for the XLVII congresso AISS – Le enunciazioni e le immagini, Università di Siena, Italy.
2019 [NEW YORK] (October, 14 15th), “Grande Bouffes, Super Sizes, Space Valleys and Cowspiracies. New Generations and Axiologies of Food in Cinema and Media“, paper for the International Conference “Food for Thought: Nourishment, Culture, Meaning”, New York University.
2019 [SHANGHAI] (July, 1st-4th), “Chinas Van Goghs. Hypothesis for a Transnational Cultural Heritage through Representation of Faces in Chinese Western Culture and Cinema“, Keynote speaker for the International Congress “Semiotics of Cultural Heritage”, Shanghai University.
2019 [BELFAST] (May, 29th), Report for the EIT Food WeValueFood Project, WP5 (Communication & Dissemination Plan), Queen’s University Belfast, Northern Ireland.
CICLO DI CONFERENZE presso il Collegio Universitario di Torino Renato Einaudi dal titolo “Cinema, nuovi media e rivoluzione digitale”: 14/03/2019 – “Film e video: dalla sala cinematografica a Youtube” | 21/03/2019 – “Passato e futuro: dalla nostalgia alla distopia” | 28/03/2019 – “Identità e autoritratto: dal cinema contemporaneo ai nuovi media” | 04/04/2019 – “Verità e menzogna: dalla fiducia al complottismo” | 11/04/2019 – “Vedere e sentire: dai droni alla realtà virtuale“.
2019 [TORINO] (February, 26th), “Paraliponomi della cinematomachia ovvero l’infame storia di Alan Smithee”, paper 2018-2019 Meetings on Meanings: “On Anonymous Meaning”, University of Turin.
2018 [PALERMO] (December, 1st), “Elementi di coprosemiotica“, XLVI Congresso AISS, Politiche del gusto.
2018 [Parma] (November, 12th), “Un varco strettissimo: cinema e destinalità“, Workshop CUC – Ricerche dottorali. Fonti e metodi.
2018 [BOLOGNA] (October, 10th), “Segreti e secreti del film. Percolazioni dell’occulto nell’immagine e nella narrazione cinematografica e ricadute sugli immaginari“, Laboratorio sulle discipline del segreto, Scuola Superiore di Studi Umanisti Bologna.
2018 [SHANGHAI] (September, 26th), “Ellipses and Amnesias. Poetics and Figures of Time in Contemporary Sinascape“, paper for the Symposium Semiotics of Contemporary Arts in China, Shanghai University, China.
2018 [SOZOPOL] (September, 8th), “Le voyage dans les Celebrities Porn – Aesthetics of a Peculiar Category“, paper for the XXIII Early Fall School of Semioticss, Love and Sex in the Digital Age, Sozopol, Bulgaria.
2018 [TORINO] (June, 8th-9th), “Luigi Serafini, Kunizo Matsumonto, Leos Carax. The Unbridled Meaning of Unsignified Signifiers“, paper for the International Symposium Ancient and Artificial Languages in Today’s Culture, University of Turin and Ludwig-Maximilians-Univeristät München.
2018 [GORIZIA] (March, 6th), “Around A Film Unfinished – Semiotics and Hermeneutics of a Layered Documentary“, paper for the XVI Magis International Film Studies Spring School.
2018 [TORINO] (February, 27th), “I volti dell’imponderabile – Sulla fisiognomica facciale delle istanze destinali nel cinema“, paper for the 2017-2018 Meetings on Meaning “Semiotica del volto”.
2018 [POTSDAM] (Jan-Feb, 31st-2nd), “Karagarga or Treasure Island. On Moderation as a Knowledge Engine in Secret Online Communities“, paper for the International Symposium “Est modus in networks: the language of moderation in internet” University of Potsdam, Berlin.
2017 [PALERMO] (December, 1st), “Il paradosso dermatoglifico. Sulla discorsivizzazione del tatuaggio da Melville a Instagram“, paper for the International Conference “Tattoo Iconologies” Università di Palermo.
2017 [TORINO] (November, 16th), “71 (more or less) Fragments of a Filmography of Chance“, paper for the 2017 Doctoral Meetings, Università di Torino.
2017 [CASSINO] (October, 6th), “Io, l’idiosincrasia – Sul grande rimosso della semiotica“, paper for the XLV AISS Congress, Università degli Studi di Cassino e del Lazio Meridionale.
2017 [TURIN] (July, 4th), “Blue Whale – The Joy of Public (Over)Interpretation)“, paper for the symposium “Public Interpretation: Sharing Meaning in the Era of Extreme Virality”, University of Turin.
2017 [KAUNAS] (June, 26th-30th, forthcoming), “Semiotics (of Cinema) is not Dead”, paper for the IASS-AIS World Congress, University of Technology, Kaunas (Lituania).
2017 [BERLIN] (May, 23th), “Pokémon and the PETA, the (not so) Odd Couple – Viral Extremeness as a Semiotic Strategy”, paper for the conference “Virality of the Extreme Images”, Universität Potsdam (Germany).
2017 [CORK] (May, 19th), “Forever Dying: Film and the Aesthetics of the Coma”, paper for the the 3rd International Alphaville Conference, University College Cork, Cork (Ireland).
2017 [CORK] (April, 24th), “Filming Fate – An Introduction to the Unfilmable from a (not only) Semiotic Perspective”, seminar at UCC, University College Cork, Cork (Ireland).
2017 [DUBLIN] (April, 13th), “Theory of the Unfilmable – An Introduction”, paper for the 13th Annual Irish Screen Studies Seminar, Dublin (Ireland).
2016 [TURIN] (December, 14th), “Da morire dal ridere – Ideologemi della catastrofe cinematografica e sue declinazioni tragicomiche”, paper for the symposium Katastrophè – Riflessioni sul discorso catastrofico, University of Turin.
2016 [PALERMO] (December, 2th), “Zoosemiotica dei Pokémon”, paper for the International Congress Zoosemiotics 2.0, Museo Internazionale delle Marionette.
2016 [LISBON] (November, 29th), “Allospaces: Mind-Topia and the Unfilmable”, paper for the International Conference on Space and Cinema, University of Lisbon.
2016 [ROME] (November, 25th), “The Present Absent – The Sublime and Cinema from Romanticism to Postmodernism”, paper for the XXII International Conference of Film Studies, Roma Tre University.
2016 [PISA] (October, 9th), with Mauro Alovisio, “Gli occhi dei droni nell’immaginario del cinema”, seminar for Internet Festival 2016, Pisa, Cittadella Galileiana.
2016 [NOVEDRATE] (September-October, 30th-2nd), “Semiotica dei droni. Per una narratologia oggettuale interpolata con la teoria onto-cartografica”, paper for the XLIV AISS Congress, University eCampus.
2016 [TURIN] (May, 25th), “Ragazzacci 2.0 o del cattivo gusto online. Topologie, modulazioni e resilienze nelle geografie culturali dei social media”, paper 2015-2016 Meetings on Meaning: “Semiotica della viralità: per una epidemiologia del senso”, University of Turin.
2016 [TURIN] (May, 4th), “Semiotica dell’ineffabile – Attorno al non filmabile”, paper for the 2015-2016 Doctoral Meetings, Università di Torino.